28 July 2014

Eva Rothschild video

In this TateShots video, Eva Rothschild discusses the importance of the choice of materials she works with, explaining how she manipulates these choices to give the appearance either of something pristine and untouched, or of something that very much bears the touch of the artist’s hand.

This autumn sees the publication of Eva Rothschild, a volume featuring recent sculptures by the Irish-born artist originally exhibited at Dublin City Gallery The Hugh Lane. For further information, see the Ridinghouse website.

24 July 2014
Spotted: The Conran Shop, London
We spotted Bridget Riley: Complete Prints 1962–2012 at The Conran Shop in London.
Visually captivating and beautifully arranged, Bridget Riley’s screenprints are some of the most innovative and technically accomplished ever made. Newly designed and expanded, this catalogue raisonné of the artist’s prints brings together a substantial body of work.

Spotted: The Conran Shop, London

We spotted Bridget Riley: Complete Prints 1962–2012 at The Conran Shop in London.

Visually captivating and beautifully arranged, Bridget Riley’s screenprints are some of the most innovative and technically accomplished ever made. Newly designed and expanded, this catalogue raisonné of the artist’s prints brings together a substantial body of work.

23 July 2014

From the backlist: Mel Bochner: If the Colour Changes

This monograph takes colour as its guiding thread to highlight Mel Bochner’s rich and thought-provoking approach to photography and painting – moving from early installations to his more recent ‘thesaurus painting’ series.

For more, see the Ridinghouse website.

22 July 2014
Gillian Wearing in the Financial Times
Ahead of the opening of A Real Birmingham Family at Ikon Gallery, Birmingham, this autumn, Gillian Wearing speaks to the Financial Times about her quietly subversive and unexpected take on ‘ordinary’ subjects.
Read the interview online here.
For an overview of Wearing’s work, see her monograph published by Ridinghouse, Whitechapel Gallery and K20 Kunstsammlung Nordrhein-Westfalen in 2012.

Gillian Wearing in the Financial Times

Ahead of the opening of A Real Birmingham Family at Ikon Gallery, Birmingham, this autumn, Gillian Wearing speaks to the Financial Times about her quietly subversive and unexpected take on ‘ordinary’ subjects.

Read the interview online here.

For an overview of Wearing’s work, see her monograph published by Ridinghouse, Whitechapel Gallery and K20 Kunstsammlung Nordrhein-Westfalen in 2012.

17 July 2014

Alison Wilding at Camden Arts Centre, London

Spread across both the galleries and gardens of Camden Arts Centre, London is an exhibition of work by the British artist Shelagh Wakely (1932–2011). Her work is brought into conversation with other artists at the gallery garden, including a reacreation of Alison Wilding’s Treecrabbing.

For more on the artist, see Alison Wilding: Vanish & Detail, published by Ridinghouse in 2014.

Image credit: Alison Wilding, Treecrabbing, 1982. Installation view, Sculpture in the Garden, Camden Arts Centre, London, 1982. © Alison Wilding 2014. All rights reserved, courtesy Karsten Schubert, London.

15 July 2014

Preview: José Damasceno

The story boards for our forthcoming José Damasceno monograph are taking shape. Exploring scale and perception, Damasceno’s imaginative and surreal approach to sculpture is catalogued in this comprehensive monograph.

This title is set for release this summer; for further information see the Ridinghouse website.

10 July 2014
It was important to avoid some kind of nostalgia. For me, the photographs are in a persistent present tense, what remains kind of exists in an extended moment.

Paul Winstanley on his ’Art School’ series of photography during a conversation with Maria Fusco. 

Filled with photographs of unpopulated studios, Paul Winstanley’s exploration of British art schools highlights their importance at a time when the art school system’s existence is more fraught than ever. For more on this title, see the Ridinghouse website.

8 July 2014
From the backlist: Ernst Wilhelm Nay
Combining a highly expressive graphic style and a deep sensitivity to colour, Ernst Wilhelm Nay’s intense painting is surveyed in this first English-language overview of his varied life and career.
For more on the artist, see the Ridinghouse website.

From the backlist: Ernst Wilhelm Nay

Combining a highly expressive graphic style and a deep sensitivity to colour, Ernst Wilhelm Nay’s intense painting is surveyed in this first English-language overview of his varied life and career.

For more on the artist, see the Ridinghouse website.

4 July 2014
Whether there ever could be enough of abstract drawing is a difficult question. I think that the mark, the means and the support come together time after time in highly particular instances, and that it is the richness of this that continually refreshes the world we live in.

Richard Deacon on his selection of works for Abstract Drawing, a group exhibition curated by the artist at Drawing Room earlier this year. 

Bringing together artists from different generations and parts of the world, the accompanying catalogue explores the complexities of ‘abstraction’ in contemporary drawing. Further information can be found on the Ridinghouse website.

2 July 2014
Nicholas Pope at Salisbury Cathedral
Nicholas Pope’s The Apostles Speaking in Tongues Lit by Their Own Lamps is now installed at Salisbury Cathedral for Pentecost, in association with the New Art Centre, Roche Court, until 3 August 2014.
First shown at Tate Britain in 1996-97, The Apostles Speaking in Tongues Lit By Their Own Lamps is a grouping of terracotta figures that represent the twelve apostles surrounded by an enthralled ‘multitude’: a gathering of elongated vessel-like forms sprouting amorphous limbs or growths.
For more on Nicholas Pope, see his comprehensive monograph, published by Ridinghouse in 2013.
Photo credit: FXP, London.

Nicholas Pope at Salisbury Cathedral

Nicholas Pope’s The Apostles Speaking in Tongues Lit by Their Own Lamps is now installed at Salisbury Cathedral for Pentecost, in association with the New Art Centre, Roche Court, until 3 August 2014.

First shown at Tate Britain in 1996-97, The Apostles Speaking in Tongues Lit By Their Own Lamps is a grouping of terracotta figures that represent the twelve apostles surrounded by an enthralled ‘multitude’: a gathering of elongated vessel-like forms sprouting amorphous limbs or growths.

For more on Nicholas Pope, see his comprehensive monograph, published by Ridinghouse in 2013.

Photo credit: FXP, London.

 
 
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